The silent film era existed from the mid-1890s to the late 1920s. Although the films themselves were silent, most theatres would have a pianist or organist who would accompany the film live; either by way of improvisation, or using preexisting sheet music. In some large cities, small orchestras were also used.
Interestingly, around 75% of silent films produced in the US are considered lost, possibly due to the use of nitrate film which was extremely unstable and flammable. Thankfully, today’s audiences can still enjoy the death-defying stunts of Buster Keaton, Charlie Chaplin’s hilarious slapstick comedy, and the smouldering beauty of Gloria Swanson as she lights up the silver screen.
“Silent Screen Rag” is written in a familiar Joplin-esque manner. Ensure to play this piece with plenty of character, whilst taking care not to play it too fast. Consider the use of dynamics in relation to how a film might be edited. For example, think of terraced dynamics as a quick cut from one scene to another. Alternatively, think of crescendos and diminuendos similar to a cross fade. Careful observance of the dynamics, style, and tempo will help to not only online outline the structure, but should also keep the listener on their toes.
I hope you enjoy performing “Silent Screen Rag,” and would love to hear what kind of silent movie movie you think this music would be suited to!
